- Support & Downloads
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- Introduction
- Production Planning
- Target Surveying and Constellations
- Intersense Introduction
- Target Layout
- Placing Targets on a 25-foot Stage
- Placing Targets on a Soap Opera Stage
- Stage Coordinates
- Northing, Easting, Elevation to XYZ
- Overview of Surveyed Points
- Surveying for CG
- Survey Constellation Tool and CFGs
- Constellation files
- Intersense Startup
- Loading Constellation Files
- Constellation Editing
- Verify Tracking
- Intersense Settings
- Stage vs. Scene Coordinates
- Intersense Diagnostics
- Using the Portable Target Boards
- Importing Additional Survey Points
- Connections
- Previzion DATA CABLE
- Sync & Video — Evertz 1RU
- Sync & Video — Evertz 2430 + AJA 10AMA
- Verify Video Input
- Analyze Video in BRec
- Capture Video in BRec
- Generate Color Bars
- Timecode Connections
- Airtrack Connections
- Lens Connections – Fujinon
- Lens Connections – Canon
- Panavision Anamorphic Lenses
- Panavision Connections
- Panavision SD analog video tap
- Alexa Plus
- RED One Connections
- RED Epic Connections
- Preston Connections
- C Motion Connections
- Cooke Connections
- Element Technica Connections
- Testing Serial Connections
- Capturing Serial Data
- Preview Output
- Application Configuration
- Tracking
- Lens Interface
- Stereo Interface
- Video Interface
- Keying
- Holdout Mattes
- Scene Interface
- Color Correction Interface
- Takes Interface
- System Monitor Interface
- Lens Calibration
- Lens Grapher
- Creating Backgrounds
- Animation
- Photogrammetry
- Photogrammetry Overview
- Shooting Technique
- Solving with Photoscan
- Maya Import – Photoscan
- Set Axes and Freeze Xforms
- Modeling With Reference Mesh
- Fix Camera FOV
- Add Image Planes
- Projection Shaders
- Modeling – Overview
- Modeling – Starting with a Cube
- Modeling – Adding Mesh Detail
- Maya Texture Baker
- Export to Mari
- Mari Projections
- CgFx Shader Library
- Exporting Backgrounds
- Clean Geometry – Normals
- Clean Geometry – Faces
- Clean Geometry – Vertices
- Clean Geometry – UVs
- Clean Geometry – Edges
- Clean Geometry – Construction History
- Clean Scene – Optimizing Scene Size
- Clean Scene – Node Naming
- Clean Scene – Clean Texture Paths
- Clean Scene – Clean Shader Paths
- Clean Scene – Deleting Un-Used Nodes
- Previzion Export Checker
- Post Production Workflows
- Rendering Previzion Ready Scene in Maya
- Extracting Metadata with Take Converter
- Syntheyes
- Importing “edit_” Transform Data from Previzion Take
- Stereo data into Syntheyes
- Stereo data into 3D Equalizer
- Example Shot and Metadata
- A Quick Pipeline for Post Rendering a Scene used in Previzion
- Rendering Video as Texture in Maya
- Batch Rendering in Maya
- General Lift Encoded Technocrane
- GPS/IMU Tracking
- Troubleshooting
- Downloads
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Post Production Workflows - Stereo data into 3D Equalizer
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Stereo Data into 3D Equalizer
Use Take Converter download from 04/20/2011 or later.
Use the Syntheyes output setting in Take Converter.
Download the Python 3DE import script, and place it in the 3DE/sys_data/py_scripts folder.
In 3D Equalizer:
Make sure that the dominant camera is selected and is set to a stereo camera.
Select Python->Import Previzion v.03, and pick the output .txt file from Take Converter. The dominant camera should now have position, orientation, focal length, and IO data imported.
In the Attribute Editor lens tab, set the Filmback Width and Height to Fixed, and enter the correct values
Set the Focal Length to Adjust
In the Attributes Editor camera tab, set the lens focal length to dynamic (zooming). It should show the first frame input value.
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