- Overview
- Purchase
- Support
- Documentation
- Introduction
- Production Planning
- Setting the Stage
- Intersense Introduction
- Target Layout
- Placing Targets on a 25-foot Stage
- Placing Targets on a Soap Opera Stage
- Stage Coordinates
- Northing, Easting, Elevation to XYZ Conversion
- Overview of Surveyed Points
- Surveying for CG
- Constellation files
- Intersense Startup
- Loading Constellation Files
- Constellation Editing
- Verify Tracking
- Intersense Settings
- Stage vs. Scene Coordinates
- Intersense Diagnostics
- Creating Intersense Configuration Files
- Using the Portable Target Boards
- Portable Board Survey Converter
- Importing Additional Survey Points
- Connections
- Sync & Video — Older Evertz + AJA
- Sync & Video — New Evertz 1U
- Verify Video Input
- Analyze Video in BRec
- Capture Video in BRec
- Generate Color Bars
- Timecode Connections
- Airtrack Connections
- Lens Connections – Fujinon
- Lens Connections – Canon
- Panavision Anamorphic Lenses
- Panavision Connections
- Panavision SD analog video tap
- Arri Connections
- RED One Connections
- RED Epic Connections
- Preston Connections
- C Motion Connections
- Cooke Connections
- Element Technica Connections
- Testing Serial Connections
- Capturing Serial Data
- Preview Output
- Application Configuration
- Tracking
- Lens Interface
- Stereo Interface
- Video Interface
- Keying
- Holdout Mattes
- Scene Interface
- Color Correction Interface
- Takes Interface
- System Monitor Interface
- Creating Backgrounds
- Lens Calibration
- Animation
- CgFx Shader Library
- Post Production Workflows
- Rendering Previzion Ready Scene in Maya
- Extracting Metadata with Take Converter
- Syntheyes
- Importing “edit_” Transform Data from Previzion Take
- Stereo data into Syntheyes
- Stereo data into 3D Equalizer
- Example Shot and Metadata
- A Quick Pipeline for Post Rendering a Scene used in Previzion
- Rendering Video as Texture in Maya
- Batch Rendering in Maya
- Exporting Backgrounds
- Clean Geometry – Normals
- Clean Geometry – Faces
- Clean Geometry – Vertices
- Clean Geometry – UVs
- Clean Geometry – Edges
- Clean Geometry – Construction History
- Clean Scene – Optimizing Scene Size
- Clean Scene – Node Naming
- Clean Scene – Clean Texture Paths
- Clean Scene – Deleting Un-Used Nodes
- CGFX Shader Swap
- Previzion Export Checker
- Photogrammetry
- Photogrammetry Overview
- Shooting Technique
- Solving with Photoscan
- Maya Import – Photoscan
- Set Axes and Freeze Xforms
- Modeling With Reference Mesh
- Fix Camera FOV
- Add Image Planes
- Projection Shaders
- Modeling – Overview
- Modeling – Starting with a Cube
- Modeling – Adding Mesh Detail
- Export to Mari
- Mari Projections
- General Lift Encoded Technocrane
- GPS/IMU Tracking
- Lens Grapher
- Troubleshooting
- FAQ
- Checklists
- Training
- Downloads
- Documentation
- News/Updates
- Contact
- About
Connections - Arri Connections
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Next Section: RED One Connections
Arri D20/D21/Alexa
All 3 systems use the same sensor width when shooting 1920×1080 16:9 format (23.76 mm wide.)
The Alexa has a look-around mode, but this uses a slightly larger range of the sensor; the actual imaged size is the size shown above.
The output of the Alexa needs to be set to 1:1 of the actual imaged size, without the lookaround, to maintain tracking accuracy.
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