- Overview
- Purchase
- Support
- Documentation
- Introduction
- Production Planning
- Setting the Stage
- Intersense Introduction
- Target Layout
- Placing Targets on a 25-foot Stage
- Placing Targets on a Soap Opera Stage
- Stage Coordinates
- Northing, Easting, Elevation to XYZ Conversion
- Overview of Surveyed Points
- Surveying for CG
- Constellation files
- Intersense Startup
- Loading Constellation Files
- Constellation Editing
- Verify Tracking
- Intersense Settings
- Stage vs. Scene Coordinates
- Intersense Diagnostics
- Creating Intersense Configuration Files
- Using the Portable Target Boards
- Portable Board Survey Converter
- Importing Additional Survey Points
- Connections
- Sync & Video — Older Evertz + AJA
- Sync & Video — New Evertz 1U
- Verify Video Input
- Analyze Video in BRec
- Capture Video in BRec
- Generate Color Bars
- Timecode Connections
- Airtrack Connections
- Lens Connections – Fujinon
- Lens Connections – Canon
- Panavision Anamorphic Lenses
- Panavision Connections
- Panavision SD analog video tap
- Arri Connections
- RED One Connections
- RED Epic Connections
- Preston Connections
- C Motion Connections
- Cooke Connections
- Element Technica Connections
- Testing Serial Connections
- Capturing Serial Data
- Preview Output
- Application Configuration
- Tracking
- Lens Interface
- Stereo Interface
- Video Interface
- Keying
- Holdout Mattes
- Scene Interface
- Color Correction Interface
- Takes Interface
- System Monitor Interface
- Creating Backgrounds
- Lens Calibration
- Animation
- CgFx Shader Library
- Post Production Workflows
- Rendering Previzion Ready Scene in Maya
- Extracting Metadata with Take Converter
- Syntheyes
- Importing “edit_” Transform Data from Previzion Take
- Stereo data into Syntheyes
- Stereo data into 3D Equalizer
- Example Shot and Metadata
- A Quick Pipeline for Post Rendering a Scene used in Previzion
- Rendering Video as Texture in Maya
- Batch Rendering in Maya
- Exporting Backgrounds
- Clean Geometry – Normals
- Clean Geometry – Faces
- Clean Geometry – Vertices
- Clean Geometry – UVs
- Clean Geometry – Edges
- Clean Geometry – Construction History
- Clean Scene – Optimizing Scene Size
- Clean Scene – Node Naming
- Clean Scene – Clean Texture Paths
- Clean Scene – Deleting Un-Used Nodes
- CGFX Shader Swap
- Previzion Export Checker
- Photogrammetry
- Photogrammetry Overview
- Shooting Technique
- Solving with Photoscan
- Maya Import – Photoscan
- Set Axes and Freeze Xforms
- Modeling With Reference Mesh
- Fix Camera FOV
- Add Image Planes
- Projection Shaders
- Modeling – Overview
- Modeling – Starting with a Cube
- Modeling – Adding Mesh Detail
- Export to Mari
- Mari Projections
- General Lift Encoded Technocrane
- GPS/IMU Tracking
- Lens Grapher
- Troubleshooting
- FAQ
- Checklists
- Training
- Downloads
- Documentation
- News/Updates
- Contact
- About
Connections - Generate Color Bars
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Next Chapter: Application Configuration
Prev Section: Capture Video in BRec
Next Section: Timecode Connections
Generating Color Bars
HDSDI output #3 on the Merlin video I/O breakout box outputs high definition color bars. To use:
Start->All Programs->Merlin->BRec1
Video->Video/Genlock Settings to bring up the settings panel
- As shown above, select Freerun as the genlock reference. This uses the internal timer of the Merlin card to provide a correct clock reference for the HDSDI output signal on the color bars on output 3 if no other input signals are connected to genlock from.
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