- Overview
- Purchase
- Support
- Documentation
- Introduction
- Production Planning
- Setting the Stage
- Intersense Introduction
- Target Layout
- Placing Targets on a 25-foot Stage
- Placing Targets on a Soap Opera Stage
- Stage Coordinates
- Northing, Easting, Elevation to XYZ Conversion
- Overview of Surveyed Points
- Surveying for CG
- Constellation files
- Intersense Startup
- Loading Constellation Files
- Constellation Editing
- Verify Tracking
- Intersense Settings
- Stage vs. Scene Coordinates
- Intersense Diagnostics
- Creating Intersense Configuration Files
- Using the Portable Target Boards
- Portable Board Survey Converter
- Importing Additional Survey Points
- Connections
- Sync & Video — Older Evertz + AJA
- Sync & Video — New Evertz 1U
- Verify Video Input
- Analyze Video in BRec
- Capture Video in BRec
- Generate Color Bars
- Timecode Connections
- Airtrack Connections
- Lens Connections – Fujinon
- Lens Connections – Canon
- Panavision Anamorphic Lenses
- Panavision Connections
- Panavision SD analog video tap
- Arri Connections
- RED One Connections
- RED Epic Connections
- Preston Connections
- C Motion Connections
- Cooke Connections
- Element Technica Connections
- Testing Serial Connections
- Capturing Serial Data
- Preview Output
- Application Configuration
- Tracking
- Lens Interface
- Stereo Interface
- Video Interface
- Keying
- Holdout Mattes
- Scene Interface
- Color Correction Interface
- Takes Interface
- System Monitor Interface
- Creating Backgrounds
- Lens Calibration
- Animation
- CgFx Shader Library
- Post Production Workflows
- Rendering Previzion Ready Scene in Maya
- Extracting Metadata with Take Converter
- Syntheyes
- Importing “edit_” Transform Data from Previzion Take
- Stereo data into Syntheyes
- Stereo data into 3D Equalizer
- Example Shot and Metadata
- A Quick Pipeline for Post Rendering a Scene used in Previzion
- Rendering Video as Texture in Maya
- Batch Rendering in Maya
- Exporting Backgrounds
- Clean Geometry – Normals
- Clean Geometry – Faces
- Clean Geometry – Vertices
- Clean Geometry – UVs
- Clean Geometry – Edges
- Clean Geometry – Construction History
- Clean Scene – Optimizing Scene Size
- Clean Scene – Node Naming
- Clean Scene – Clean Texture Paths
- Clean Scene – Deleting Un-Used Nodes
- CGFX Shader Swap
- Previzion Export Checker
- Photogrammetry
- Photogrammetry Overview
- Shooting Technique
- Solving with Photoscan
- Maya Import – Photoscan
- Set Axes and Freeze Xforms
- Modeling With Reference Mesh
- Fix Camera FOV
- Add Image Planes
- Projection Shaders
- Modeling – Overview
- Modeling – Starting with a Cube
- Modeling – Adding Mesh Detail
- Export to Mari
- Mari Projections
- General Lift Encoded Technocrane
- GPS/IMU Tracking
- Lens Grapher
- Troubleshooting
- FAQ
- Checklists
- Training
- Downloads
- Documentation
- News/Updates
- Contact
- About
Connections - Sync & Video — Older Evertz + AJA
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Previzion Connections
Evertz 2430 DAC HD settings
- The incoming 4:2:2 Rec. 709 signal from the camera is connected to the HDSDI Input BNC connector.
- The HDSDI Output BNC is connected to the Previzion HDSDI 1 input.
- All DIP switches on the 2430 are set to OFF. This corresponds to YPrPb with tri-level sync.
- A straight tri-level sync signal is present on the black and the grey sync BNC cables from the Evertz analog output. This is connected to the Airtrack over the tether using the Genlock BNC cable.
- Sync is set to Airtrack in the Tracking tab.
Timecode
If the camera does not timecode embedded in the HDSDI stream, timecode is supplied by an external device in analog LTC form. LTC timecode input to Previzion is covered here.
Power
Power to the Airtrack and Intersense is provided by the included 9V power adapter. This plugs into the Intersense serial adapter on the computer side of the data cable.
LIGHTCRAFT TECHNOLOGY ®, PREVIZION ®,
and AIRTRACK ® are trademarks or registered trademarks of Lightcraft Technology, LLC