- Overview
- Purchase
- Support
- Documentation
- Introduction
- Production Planning
- Setting the Stage
- Intersense Introduction
- Target Layout
- Placing Targets on a 25-foot Stage
- Placing Targets on a Soap Opera Stage
- Stage Coordinates
- Northing, Easting, Elevation to XYZ Conversion
- Overview of Surveyed Points
- Surveying for CG
- Constellation files
- Intersense Startup
- Loading Constellation Files
- Constellation Editing
- Verify Tracking
- Intersense Settings
- Stage vs. Scene Coordinates
- Intersense Diagnostics
- Creating Intersense Configuration Files
- Using the Portable Target Boards
- Portable Board Survey Converter
- Importing Additional Survey Points
- Connections
- Sync & Video — Older Evertz + AJA
- Sync & Video — New Evertz 1U
- Verify Video Input
- Analyze Video in BRec
- Capture Video in BRec
- Generate Color Bars
- Timecode Connections
- Airtrack Connections
- Lens Connections – Fujinon
- Lens Connections – Canon
- Panavision Anamorphic Lenses
- Panavision Connections
- Panavision SD analog video tap
- Arri Connections
- RED One Connections
- RED Epic Connections
- Preston Connections
- C Motion Connections
- Cooke Connections
- Element Technica Connections
- Testing Serial Connections
- Capturing Serial Data
- Preview Output
- Application Configuration
- Tracking
- Lens Interface
- Stereo Interface
- Video Interface
- Keying
- Holdout Mattes
- Scene Interface
- Color Correction Interface
- Takes Interface
- System Monitor Interface
- Creating Backgrounds
- Lens Calibration
- Animation
- CgFx Shader Library
- Post Production Workflows
- Rendering Previzion Ready Scene in Maya
- Extracting Metadata with Take Converter
- Syntheyes
- Importing “edit_” Transform Data from Previzion Take
- Stereo data into Syntheyes
- Stereo data into 3D Equalizer
- Example Shot and Metadata
- A Quick Pipeline for Post Rendering a Scene used in Previzion
- Rendering Video as Texture in Maya
- Batch Rendering in Maya
- Exporting Backgrounds
- Clean Geometry – Normals
- Clean Geometry – Faces
- Clean Geometry – Vertices
- Clean Geometry – UVs
- Clean Geometry – Edges
- Clean Geometry – Construction History
- Clean Scene – Optimizing Scene Size
- Clean Scene – Node Naming
- Clean Scene – Clean Texture Paths
- Clean Scene – Deleting Un-Used Nodes
- CGFX Shader Swap
- Previzion Export Checker
- Photogrammetry
- Photogrammetry Overview
- Shooting Technique
- Solving with Photoscan
- Maya Import – Photoscan
- Set Axes and Freeze Xforms
- Modeling With Reference Mesh
- Fix Camera FOV
- Add Image Planes
- Projection Shaders
- Modeling – Overview
- Modeling – Starting with a Cube
- Modeling – Adding Mesh Detail
- Export to Mari
- Mari Projections
- General Lift Encoded Technocrane
- GPS/IMU Tracking
- Lens Grapher
- Troubleshooting
- FAQ
- Checklists
- Training
- Downloads
- Documentation
- News/Updates
- Contact
- About
Connections - Sync & Video — New Evertz 1U
New Evertz 1U Connections
The above PDF shows the standard setting for new Previzion installations.
Notes:
Incoming live video from the camera or greenscreen recording deck is directed into the HD input of the audio embedder.
If the incoming video has the correct timecode embedded into the HDSDI VANC, then the RECLOCK output of the audio embedder is directed to the Merlin HDSDI input #1. This is simply a repeated copy of the incoming HDSDI stream, with no modifications.
If the incoming video needs to be synchronized with an external LTC analog timecode feed, the analog timecode is connected to the single LTC IN input on the audio embedder. This causes the analog timecode signal to be embedded in the right channel of embedded audio pair #0 in the HDSDI stream.
- When using LTC timecode, the HD OUT of the audio embedder is connected to the Merlin HDSDI input #1. In addition, the LTC Source menu in the Takes tab should be set to Embedded Pair 0.
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